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An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891 The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
In the late 1980s, when the first major Chinese Art exhibition took place, only five women, out of sixty-seven artists and participants, were included in the show. While artists from mainland China, Taiwan , and Hong Kong , were being recognized for their diverse identities, women artists' participation in this first Chinese exhibition were not ...
The vagina represents a powerful symbol as the yoni in Hindu thought. Pictured is a stone yoni found in Cát Tiên sanctuary, Lam Dong, Vietnam.. Various perceptions of the vagina have existed throughout history, including the belief that it is the center of sexual desire, a metaphor for life via birth, inferior to the penis, visually unappealing, inherently unpleasant to smell, or otherwise ...
Women Friends (1916-1917) is a painting by Austrian symbolist painter Gustav Klimt. Alternatively known as The Friends , or Girlfriends II ( Freundinnen II ), among others, the work was destroyed by fire in 1945 alongside several other of Klimt's paintings in the burning of Schloss Immendorf .
Woman at her Toilette is an oil-on-canvas painting by French artist Berthe Morisot, executed between 1875 and 1880.It was first exhibited at the fifth Impressionist exhibition in 1880 and is now in the Art Institute of Chicago. [1]
Schiele's wife, Edith, served as the model for Seated Woman, which utilizes a limited color palette, empty background, and sharp, edgy lines. Like many of Schiele's other works, the piece employs a distinct style that subverts conventional representations of beauty and instead blends an ugly, distorted feeling with a sensual and erotic aesthetic.
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By the late 1960s, there was a plethora of feminine artwork that broke away from the tradition of depicting women in an exclusively sexualized or objectified fashion. [ 9 ] In order to gain recognition, many female artists struggled to "de-gender" their work in order to compete in a dominantly male art world.