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Hestia is identified with the hearth as a physical object, and the abstractions of community and domesticity, in contrast to the fire of the forge employed in blacksmithing and metalworking, the province of the god Hephaestus.
Fragment of a Hellenistic relief (1st century BC–1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff ...
In Greek mythology, the primordial deities are the first generation of gods and goddesses.These deities represented the fundamental forces and physical foundations of the world and were generally not actively worshipped, as they, for the most part, were not given human characteristics; they were instead personifications of places or abstract concepts.
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In Greek myth, Hestia was one of the six children of Cronus and Rhea, the first of their three daughters, and thus the eldest of the twelve Olympians. [i] [1] She was the elder sister of Zeus, Poseidon, Hades, Hera, and Demeter, and was revered as goddess of the hearth and of domestic life. [2]
Winckelmann cited the Hestia Giustiniani as an example of the austere early stage of Classical Greek sculpture.For female figures, early fifth-century sculptors mostly gave up the crinkly sleeved chiton, which had been popular in the later sixth century BCE, and returned to the sleeveless peplos with heavy, dominantly vertical folds not unlike the fluting of a column. [1]
He had three older sisters, Hestia, Demeter, and Hera, as well as a younger brother, Poseidon, all of whom had been swallowed whole by their father as soon as they were born. Zeus was the youngest child and through the machinations of their mother, Rhea, he was the only one that had escaped this fate. Upon reaching adulthood, Zeus managed to ...