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Poem 68 is a complex elegy written by Catullus, who lived in the 1st century BCE during the time of the Roman Republic.This poem addresses common themes of Catullus' poetry such as friendship, poetic activity, love and betrayal, and grief for his brother.
The "Type" column is color-coded, with a green font indicating poems for or about friends, a magenta font marking his famous poems about his Lesbia, and a red font indicating invective poems. The "Addressee(s)" column cites the person to whom Catullus addresses the poem, which ranges from friends, enemies, targets of political satire, and even ...
Catullus is the predecessor in Roman elegy of poets like Propertius, Tibullus, and Ovid. Catullus came at the beginning of the genre of love poetry, so his work is different than that of the later poets. Ovid is heavily influenced by Catullus; however, the focus of Ovid's writing is on the concept of love, rather than on himself or the male lover.
Ovid's Amores are firmly set in the genre of love elegy. The elegiac couplet was used first by the Greeks, originally for funeral epigrams, but it came to be associated with erotic poetry. [15] Love elegy as a genre was fashionable in Augustan times. [14] The term 'elegiac" refers to the meter of the poem.
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a ...
The "Marienbad Elegy" is a poem by Johann Wolfgang von Goethe. It is named after the spa town of Marienbad (now Mariánské Lázně) where Goethe, 72-years-old, spent the summer of 1821. There he fell in love with the 17-year-old Ulrike von Levetzow. Goethe returned to Marienbad in the summer of 1823 to celebrate his birthday.
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The elegiac couplet is presumed to be the oldest Greek form of epodic poetry (a form where a later verse is sung in response or comment to a previous one). Scholars, who even in the past did not know who created it, [3] theorize the form was originally used in Ionian dirges, with the name "elegy" derived from the Greek ε, λεγε ε, λεγε—"Woe, cry woe, cry!"