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Japanese and Korean calligraphy were each greatly influenced by Chinese calligraphy. Calligraphy has influenced most major art styles in East Asia, including ink and wash painting, a style of Chinese, Japanese, and Korean painting based entirely on calligraphy and which uses similar tools and techniques.
First page of Paul's epistle to Philemon in the Rochester Bible (12th century). A modern calligraphic rendition of the word calligraphy (Denis Brown, 2006). Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet (but also including calligraphic use of the Cyrillic and Greek alphabets, as opposed to "Eastern" traditions ...
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia . [ 1 ]
Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only, but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Korean calligraphy, also known as Seoye (Korean: 서예), is the Korean tradition of artistic writing. Calligraphy in Korean culture involves both Hanja (Chinese logograph) and Hangul (Korean native alphabet). Early Korean calligraphy was exclusively in Hanja, or the Chinese-based logography first used to write the Korean language.
Calligraffiti is an art form that combines calligraphy, typography, and graffiti. It can be classified as either abstract expressionism or abstract vandalism. It is defined as a visual art that integrates letters into compositions that attempt to communicate a broader message through writing that has been aesthetically altered to move beyond ...
Sini calligraphy may be inscribed both horizontally or vertically depending on the surface. [1] The vertical form of Sini Calligraphy, often found hanging on both sides of a doorway or on pillars, is influenced by the vertical style of Chinese calligraphy, particularly found in yinglian or duilian, the calligraphic artform of rhyming couplets. [1]
Style is seen as usually dynamic, in most periods always changing by a gradual process, though the speed of this varies greatly, from the very slow development in style typical of prehistoric art or Ancient Egyptian art to the rapid changes in Modern art styles. Style often develops in a series of jumps, with relatively sudden changes followed ...