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The magazine was founded in 1995 [1] by Hal Niedzviecki. [3] [4] Its current editor-in-chief, Zack Kotzer, took over editing duties in 2022.[5]In 2009, Broken Pencil published a collection of short stories entitled Can'tLit: Fearless Fiction from Broken Pencil Magazine, featuring Canadian independent writers, with ECW Press. [6]
For eight years, Pohl-Weary published and wrote for Kiss Machine magazine, which ceased publication in 2008. She is also a former editor of Broken Pencil magazine. In October 2022, Pohl-Weary released the audio drama The Witch's Circle, based on Russian folklore, as part of Odyssey Theatre's podcast series The Other Path.
In 1995, he co-founded the magazine Broken Pencil, a guide to underground arts and zine culture, and was the magazine's editor until 2002. He has also written for Adbusters, Utne, The Walrus, This Magazine, Geist, Toronto Life, The Globe and Mail, and the National Post.
Culp was film and video editor for Broken Pencil magazine from 1999 to 2001, and has authored several reviews and essays for Paul Corupe’s canuxploitation.com. They have written reviews and features for many web sites and publications including The Cultural Gutter, Fuse, POV, Eclectic Screening Room, Clamor, Canadian Dimension, Filmprint and ...
Siue Moffat is a Canadian vegan chocolatier, cookbook author, filmmaker, zine maker, video activist and film archivist. [1] She began writing zines in the late 1980s. Her two-page zine, "Roy Spim", was cited as life changing, blunt, and fearless by an author of a reflection at Broken Pencil.
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Her fiction and poetry have appeared in Prism international, Broken Pencil, Blood and Aphorisms, Sub-terrain, Fish piss, Matrix, the Moosehead Anthology. Her collection of stories, Darkness Then a Blown Kiss, was published in 1998 and was listed as one of the ten best books of the year by NOW magazine.
Adel Franklyn wrote in Broken Pencil Magazine that the novel has "a passionate script, and a compelling narrative in one." [13] Dan Brown wrote in The London Free Press that "the story leaps off the page" and compared the art to Ralph Steadman's work. [14]