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Women's wigs developed in a somewhat different way. They were worn from the 18th century onwards, although at first only surreptitiously. Full wigs in the 19th and early 20th century were not fashionable. They were often worn by old ladies who had lost their hair.
Additionally, by the 19th century many hair artists and wig makers had too little employment after the powdered wigs, often worn by noblemen of the 17th and 18th centuries, went out of fashion. The period of sentimentality, characteristic of the Victorian era, offered these craftsmen a new opportunity to earn their income working with hair.
The Welsh Wig or Welch Wig was a knitted woollen cap popular in the 19th century. A simple round cap, the Welsh Wig had a distinctive long back of soft wool to keep the neck warm, which often approximated the appearance of long curly hair.
In 1799, a Parisian fashion magazine reported that even bald men were adopting Titus wigs, [15] and the style was also worn by women, the Journal de Paris reporting in 1802 that "more than half of elegant women were wearing their hair or wig à la Titus". [16] In the early 19th century the male beard, and also moustaches and sideburns, made a ...
A Titus cut or coiffure à la Titus was a hairstyle for men and women popular at the end of the 18th century in France and England. The style consisted of a short layered cut, typically with curls. [1] It was supposedly popularized in 1791 by the French actor François-Joseph Talma who played Titus in a Parisian production of Voltaire's Brutus ...
He believed the ‘Gibson Girl’ was the embodiment of the 19th century woman, someone who’s graceful, independent and elegant—starting with the larger-than-life look.