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Josep Maria Sert i Badia (Catalan pronunciation: [ʒuˈzɛb məˈɾi.ə ˈsɛɾt]; Barcelona, 21 December 1874 – 27 November 1945, buried in the Vic Cathedral) was a Spanish muralist, the son of an affluent textile industry family. [1]
The Goya Murals in the Cartuja de Aula Dei (Ciclo pictórico de la Vida de la Virgen de la Cartuja del Aula Dei, 1774) are a cycle of mural paintings on the Life of the Virgin by Francisco de Goya, realised in secco (i.e., painted in oils directly onto the wall surface), in the church of the Charterhouse of Aula Dei (Spanish: Cartuja de Aula Dei) near Peñaflor de Gállego on the outskirts of ...
Isabel's grandson, Charles I, the first Habsburg king of Spain, was a patron and collector of art, as was his sister, Mary of Hungary. Both admired works by Titian . When the siblings died, the art passed to Philip II of Spain , Charles's son, an even keener collector. [ 57 ]
The visage of the Virgin Mary was badly warped in two restoration attempts made on artist Bartolomé Esteban Murillo's painting "The Immaculate Conception of Los Venerables," according to Europa ...
It is considered the first gothic cathedral in Spain. [37] Cathedral of the Assumption of Mary: El Burgo de Osma Castile and Leon: Osma-Soria: 1272 [38] Co-Cathedral of Saint Julian: Ferrol Galicia: Mondoñedo-Ferrol: 1959 [39] Cathedral of Saint Mary Magdalene: Getafe Madrid: Getafe: 1995 [40] Cathedral of Saint Mary: Girona Catalonia: Girona ...
D'Ascenzo began as a 16-year-old assistant painter, but later completed five murals on his own. Now the Samuel S. Fleisher Art Memorial. Murals: Visitation of Our Lady to St. Elizabeth, Nativity of Our Lord, Wedding at Cana (after Giotto), Laying Out of the Lord (after Fra Angelico), Appearance of the Risen Lord to Mary Magdalene (after Giotto ...
The Paintings from Santa Maria in Taüll are a set of frescos conserved at the Museu Nacional d'Art de Catalunya, in Barcelona. [1]The Maria de Taüll ensemble is one of the most complete series of Romanesque pictures kept in the Museum.
St. Mary's Basilica, Kraków. Through the centuries, the progression of Medieval architecture towards Romanesque, Gothic, Renaissance, Baroque and eventually modern Marian church architectures may be viewed as a manifestation of the growth of Marian belief – just as the development of Marian art and music were a reflection of the growing trends in the veneration of the Blessed Virgin Mary in ...