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Anti-art is also a tendency in the theoretical understanding of art and fine art.. The philosopher Roger Taylor puts forward that art is a bourgeois ideology that has its origins with capitalism in "Art, an Enemy of the People".
The soft version however, is a little harder to nail down. The definition of a soft anti-genre might include art intentionally dispensing with conventions of its medium or violently breaking with tradition by subversion, vandalism-art, irrationality, self-defeat or other strategies in a rebellious spirit.
Anti-intellectualism is hostility to and mistrust of intellect, intellectuals, and intellectualism, commonly expressed as deprecation of education and philosophy and the dismissal of art, literature, history, and science as impractical, politically motivated, and even contemptible human pursuits. [1]
Anti-realism in its most general sense can be understood as being in contrast to a generic realism, which holds that distinctive objects of a subject-matter exist and have properties independent of one's beliefs and conceptual schemes. [5] The ways in which anti-realism rejects these type of claims can vary dramatically.
Anarchy and Art: From the Paris Commune to the Fall of the Berlin Wall. Arsenal Pulp Press. ISBN 978-1-55152-218-0. Bruns, Gerald (2006). On the Anarchy of Poetry and Philosophy: A Guide for the Unruly. Fordham University Press. ISBN 0-8232-2633-6. Blechman, Max (1994). Drunken Boat: Art, Rebellion, Anarchy. Left Bank Books and Autonomedia.
Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and subjective experience. [1] Philosophy, politics, architecture, and social issues were all aspects of this movement.
The idea of life imitating art is a philosophical position or observation about how real behaviors or real events sometimes (or even commonly) resemble, or feel inspired by, works of fiction and art. This can include how people act in such a way as to imitate fictional portrayals or concepts, or how they embody or bring to life certain artistic ...
Anti-theatrical sentiments have been expressed by government legislation, philosophers, artists, playwrights, religious representatives, communities, classes, and individuals. The earliest documented objections to theatrical performance were made by Plato around 380 B.C. and re-emerged in various forms over the following 2,500 years.