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The work most crucial to aesthetics as a strand of philosophy is the first half of his Critique of the Power of Judgment, the Critique of the Aesthetic Power of Judgment. It is subdivided in two main parts - the Analytic of the Beautiful and the Analytic of the Sublime, but also deals with the experience of fine art.
"The Aesthetic Validity of Marriage": This letter is about the aesthetic value of marriage and defends marriage as a way of life. [citation needed] "Equilibrium between the Aesthetic and the Ethical in the Development of Personality" concerns the subject of choosing the good, or one's self, and of the value of making binding life-choices.
Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yƫgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful .
The New Aesthetic is a term coined by James Bridle used to refer to the increasing appearance of digital technology and the Internet in the physical world, and the blending of virtual and physical. The phenomenon has been around for a long time, but James Bridle articulated the notion through a series of talks and observations.
Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. [1] In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization.
Emigre was a graphic design magazine founded by fellow Dutchmen Marc Susan, Menno Meyjes, and Rudy VanderLans who met in San Francisco. The first four issues were edited by Susan and art directed by VanderLans, with Meyes mostly in an associate publisher role.