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Depictions of swans (genus Cygnus) in art. The swans' closest relatives include the geese and ducks . Swans are grouped with the closely related geese in the subfamily Anserinae where they form the tribe Cygnini .
Anonymous, possibly Fernando Yanez de la Almedina, Leda and the Swan. Oil on panel, 51 5/8 x 30 inches (131.1 x 76.2 cm). Philadelphia Museum of Art, USA (previously at John G. Johnson Collection, 1917) Giampietrino, Leda and the Swan, from the collection of the Marquis of Hastings; Giampietrino, Venus and Cupid, private collection, Milan
Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, seduces Leda, a Spartan queen. According to later Greek mythology, Leda bore Helen and Polydeuces , children of Zeus, while at the same time bearing Castor and Clytemnestra , children of her husband Tyndareus , the King of Sparta .
It was a square work in tempera, representing Jupiter as a swan making love to a reclining Leda (based on a composition from ancient Roman gems and seals), an egg, and Castor and Pollux as children. The painting was completed by mid-October 1530, but Alfonso described it as a "little thing" in Michelangelo's hearing and so he refused to hand it ...
Leda and the Swan (known in Italian as Leda) is an oil on canvas painting from 1530–31 by the Italian painter Correggio, now in the Gemäldegalerie in Berlin. [1] It shows three scenes of Leda's seduction by Jupiter who has taken the form of a swan. Their first meeting is shown on the right hand side and their lovemaking in the centre, where ...
The swan was "cemented in the imagination as a creature of romance for a whole generation of impressionable working class suburban kids". The anthropomorphic projection may not have been entirely random; [ 2 ] swans are believed to take a mate for life, and the graceful white birds might symbolize monogamous felicity.
“I saw Cynthia [at the Golden Globes red carpet], and we shared this, like, beautiful, fleeting glance,” recalled Van Ness, who made waves in a Christian Siriano gown during their own Globes ...
Dalí used this method to bring forth the hallucinatory forms, double images and visual illusions that filled his paintings during the 1930s, most likely his most creative decade. [ 1 ] As with the earlier Metamorphosis of Narcissus , Swans Reflecting Elephants uses the reflection in a lake to create the double image seen in the painting.