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Works of Harold Pinter provides a list of Harold Pinter's stage and television plays; awards and nominations for plays; radio plays; screenplays for films; awards and nominations for screenwriting; dramatic sketches; prose fiction; collected poetry; and awards for poetry. It augments a section of the main article on this author.
Download QR code; Print/export Download as PDF; Printable version; In other projects Wikimedia Commons; Wikidata item; ... Pages in category "Plays by Harold Pinter"
Part of Harold Pinter Double Bill (with Voices) originally broadcast to marking Pinter's 75th birthday, in October 2005; rebroadcast as part of the Harold Pinter Tribute on BBC Radio 3's Drama on 3, on 15 February 2009. Cast. Harold Pinter (Andy) Sara Kestelman (Bel) John Shrapnel(Ralph) Jill Johnson (Maria) Douglas Hodge (Jake) Harry Burton (Fred)
The Room is Harold Pinter's first play, written and first produced in 1957. Considered by critics the earliest example of Pinter's "comedy of menace", this play has strong similarities to Pinter's second play, The Birthday Party, including features considered hallmarks of Pinter's early work and of the so-called Pinteresque: dialogue that is comically familiar and yet disturbingly unfamiliar ...
The play was first published in the United Kingdom in a spiral binding by Next Editions in 1981, with illustrations by artist Guy Vaesen, a family friend of Harold Pinter and Vivien Merchant, Pinter's first wife (Baker and Ross 85; Billingon, Harold Pinter 134–35).
Harold Pinter (/ ˈ p ɪ n t ər /; 10 October 1930 – 24 December 2008) was a British playwright, screenwriter, director and actor. A Nobel Prize winner, Pinter was one of the most influential modern British dramatists with a writing career that spanned more than 50 years.
Betrayal is a play written by Harold Pinter in 1978. Critically regarded as one of the English playwright's major dramatic works, it features his characteristically economical dialogue, characters' hidden emotions and veiled motivations, and their self-absorbed competitive one-upmanship, face-saving, dishonesty, and (self-) deceptions.
Harry Derbyshire reviewed the play in Modern Drama, concluding "Small but perfectly formed, The Dumb Waiter might be considered the best of Harold Pinter's early plays, more consistent than The Birthday Party and sharper than The Caretaker. It combines the classic characteristics of early Pinter – a paucity of information and an atmosphere of ...