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The One Ring, also called the Ruling Ring and Isildur's Bane, is a central plot element in J. R. R. Tolkien's The Lord of the Rings (1954–55). It first appeared in the earlier story The Hobbit (1937) as a magic ring that grants the wearer invisibility .
Tolkien's attitude to the Black Speech is revealed in one of his letters. From a fan, Tolkien received a goblet with the Ring inscription on it in Black Speech. Because the Black Speech in general is an accursed language, and the Ring inscription in particular is a vile spell, Tolkien never drank out of the goblet, and used it only as an ...
J. R. R. Tolkien's fantasy novel The Lord of the Rings has been translated, with varying degrees of success, many times since its publication in 1954–55. Known translations are listed here; the exact number is hard to determine, for example because the European and Brazilian dialects of Portuguese are sometimes counted separately, as are the Nynorsk and Bokmål forms of Norwegian, and the ...
J. R. R. Tolkien's The Lord of the Rings has been translated, with varying degrees of success, into dozens of languages from the original English. He was critical of some early versions, and made efforts to improve translation by providing a detailed "Guide to the Names in The Lord of the Rings", alongside an appendix "On Translation" in the book itself.
The One Ring is destroyed at Mount Doom; Sauron is utterly vanquished Celebrimbor was the son of Curufin, fifth son of Fëanor and Nerdanel, and Fëanor's only known grandchild. Fëanor was the most skilful craftsman of the First Age , forging the three Silmarils to capture some of the light of the Two Trees of Valinor .
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The two-line inscription on the One Ring, written in the Black Speech of Mordor using Tengwar: "Ash nazg durbatulûk, ash nazg gimbatul / ash nazg thrakatulûk, agh burzum-ishi krimpatul". Tengwar "atul" element recurring in the ring inscription. The Tengwar script was probably developed in the late 1920s or in the early 1930s.
A pseudotranslation is a text written as if it had been translated from a foreign language. J. R. R. Tolkien made use of pseudotranslation in The Lord of the Rings for two reasons: to help resolve the linguistic puzzle he had accidentally created by using real-world languages within his legendarium, and to lend realism by supporting a found manuscript conceit to frame his story.