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Barnard Flower (died July or August 1517) was a Flemish glazier. He was King's Glazier to Henry VII and Henry VIII from 1505 to 1517, the first non-Englishman to hold this office. Flower came to work in England in the late 15th century. By 1496 he was working for Henry VIII providing glass for Woodstock and then Sheen Palace the following
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The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text. Stained glass creation had flourished in Persia (now Iran) during the Safavid dynasty (1501–1736 A.D.), and Zand dynasty (1751–1794 A.D.). [27]
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
Helichrysum sanguineum Kostel is not to be mistaken for Helichrysum sanguineum Boiss. = Gnaphalium sanguineum L., which is known in English as sowbread [3] or cyclamen.. In Arabic, the flower is known as "دم المسيح" (dam al-Massiah), meaning "blood of the Messiah"/"blood of Christ".
Nine Dragons (九龍圖卷; Jiǔlóngtú juǎn) is a handscroll painting by Chinese artist Chen Rong. [1] Painted in 1244, it depicts the apparitions of dragons soaring amidst clouds, mists, whirlpools, rocky mountains and fire, the painting refers to the dynamic forces of nature in Daoism and the liquid , water-like essence of the Tao . [ 2 ]
Henry Patrick Clarke RHA (17 March 1889 – 6 January 1931) was an Irish stained-glass artist and book illustrator. Born in Dublin, he was a leading figure in the Irish Arts and Crafts Movement. His work was influenced by both the Art Nouveau and Art Deco movements. His stained glass was particularly informed by the French Symbolist movement.
The history of Western painting represents a continuous, though disrupted, tradition from antiquity until the present time. [1] Until the mid-19th century it was primarily concerned with representational and traditional modes of production, after which time more modern, abstract and conceptual forms gained favor.