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[1] The book contains several chapters with self-laudatory titles, such as "Why I Am So Wise", "Why I Am So Clever", "Why I Write Such Good Books" and "Why I Am a Destiny". Kaufmann's Nietzsche: Philosopher, Psychologist, Antichrist notes the internal parallels, in form and language, to Plato's Apology which documented the Trial of Socrates. In ...
However, it found its most explicit expression in Nietzsche, who made love of fate central to his philosophy. In "Why I Am So Clever" (Ecce Homo, section 10), he writes: My formula for greatness in a human being is amor fati: that one wants nothing to be different, not forward, not backward, not in all eternity.
Why I Am so Clever - Friedrich Nietzsche 103. Letters to a Young Poet - Rainer Maria Rilke 104. Seven Hanged - Leonid Andreyev 105. Oroonoko - Aphra Behn 106. O frabjous day! - Lewis Carroll 107. Trivia: or, the Art of Walking the Streets of London - John Gay 108. The Sandman - E. T. A. Hoffmann 109. Love that moves the sun and other stars ...
More states that Nietzsche's claims of having an illustrious lineage were a parody on autobiographical conventions, and suspects Ecce Homo, with its self-laudatory titles, such as "Why I Am So Wise", as being a work of satire. [118] He concludes that Nietzsche's supposed Polish genealogy was a joke—not a delusion. [118]
Moreover, Nietzsche’s Übermensch was an aspirational concept whose name literally evokes a higher plane, and DC’s Superman is from the alien world of Krypton, a planet more sophisticated than ...
(cf. Ecce Homo, Why I Am So Clever, 7) Nietzsche wants music to be cheerful, profound, unique, wanton, tender, roguish, and graceful. These qualities are lacking in German music, except for the works of Bach, Handel, and also in Wagner's Siegfried Idyll. He praises Liszt, Chopin, Peter Gast, and Rossini, as well as all Venetian music. The ...
Nietzsche read the work, of which a large part is a criticism of Schopenhauer's metaphysics, while he was parting ways with Schopenhauer. [5] Nietzsche kept an interest for the philosopher: among his books was Mainländer, a new Messiah, written by Max Seiling, published a decade later. [6]
Sixty years after his iconic series ended, Jerry Mathers knows that he's still the Beaver. "I'm used to people seeing me on the street, and saying,'Oh, it's the Beaver!'" the 74-year-old Leave It ...