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Bon Voyage may refer to: Bon voyage, a French phrase borrowed into English, usually translated as "have a nice trip". Film and television.
bon appétit lit. "good appetite"; "enjoy your meal". bon mot (pl. bons mots) well-chosen word(s), particularly a witty remark ("each bon mot which falls from his lips is analysed and filed away for posterity", The European Magazine, August 29 – September 4, 1996) bon vivant one who enjoys the good life, an epicurean. bon voyage
Bon Voyage, Charlie Brown (and Don't Come Back!!) is a 1980 American animated mystery comedy film produced by United Feature Syndicate and distributed by Paramount Pictures, directed by Bill Melendez and Phil Roman. [2]
A valediction (derivation from Latin vale dicere, "to say farewell"), [1] parting phrase, or complimentary close in American English, [2] is an expression used to say farewell, especially a word or phrase used to end a letter or message, [3] [4] or a speech made at a farewell. [3] Valediction's counterpart is a greeting called a salutation.
Bon Voyage! is a 1962 American comedy film directed by James Neilson and produced by Walt Disney Productions. It stars Fred MacMurray, Jane Wyman, Deborah Walley, Tommy Kirk, and Kevin Corcoran as the Willard family on a European holiday. The character actor James Millhollin appears in the film as the ship's librarian. [3]
Columbus's vow (Spanish: El Voto colombino) was a vow by Christopher Columbus and other members of the crew of the caravel Niña on 14 February 1493, during the return trip of Columbus's first voyage to perform certain acts, including pilgrimages, upon their return to Spain. The vow was taken at Columbus's behest during a severe storm at sea.
Jon Bon Jovi is receiving praise for appearing to talk someone off the ledge of a bridge in Nashville on Tuesday. Mental health experts say that praise is well deserved. A video shared by the ...
Bon Voyage is a 1944 short French language propaganda film made by Alfred Hitchcock for the British Ministry of Information.Although the film is short (26 minutes), it uses two radically different interpretations of the same events, a technique not unlike that used by Akira Kurosawa in Rashomon (1950), Errol Morris in The Thin Blue Line (1988), and Fernando Meirelles in Cidade de Deus (2002).