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Long coats were impractical with the very full skirts, and the common outer garments were square shawls folded on the diagonal to make a triangle and fitted or unfitted hip-length or knee-length jackets. Three-quarter-length capes (with or without sleeves) were also worn. For walking, jackets were accompanied by floor-length skirts that could ...
Frock coats had the same nipped-in waist and full skirts. Very fashionable sleeves were gathered or pleated into a slightly puffed "leg of mutton" shape. Coats could be made of wool or velvet, and jewel colors like bottle green and midnight blue were high style. Double-breasted coats were very much in fashion throughout the decade.
Full-length trousers were worn for most occasions; tweed or woollen breeches were worn for hunting and hiking. In 1873, Levi Strauss and Jacob Davis began to sell the original copper-riveted blue jeans in San Francisco. These became popular with the local multitude of gold seekers, who wanted strong clothing with durable pockets. [7]
A popular silhouette for toddlers was a cotton bodice, pleated skirt and long sleeves. Small boys (ages 3 through 6) commonly wore a tunic suit. The jackets were fitted to the waist and then flared out to a full skirt ending at knee length. This was worn over trousers, or for very small boys with drawers.
The elegant gentleman wears a coat, waistcoat, and breeches. The lady's bodice is long-waisted and her over skirt is draped and pinned up behind, Dutch, 1678 . Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque.
His coat with a waist seam and skirts cutaway in a smooth curve is worn with matching trousers and collared waistcoat, 1882. George Etiene Cartier wears a dark frock coat, a decorative double-breasted waistcoat, and a narrow bow tie. Montreal, after 1882. Lawmen of Dodge City wear their coats with only the high top button fastened.
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