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The biosphere (from Ancient Greek βίος (bíos) 'life' and σφαῖρα (sphaîra) 'sphere'), also called the ecosphere (from Ancient Greek οἶκος (oîkos) 'settlement, house' and σφαῖρα (sphaîra) 'sphere'), is the worldwide sum of all ecosystems.
The World Network of Biosphere Reserves (WNBR) of the MAB Programme consists of a dynamic and interactive network of sites. It works to foster the harmonious integration of people and nature for sustainable development through participatory dialogue, knowledge sharing, poverty reduction, human well-being improvements, respect for cultural values and by improving society's ability to cope with ...
Man-made closed ecological systems which were created to sustain human life include Biosphere 2, MELiSSA, and the BIOS-1, BIOS-2, and BIOS-3 projects. [4] Bottle gardens and aquarium ecospheres are partially or fully enclosed glass containers that are self-sustaining closed ecosystems that can be made or purchased.
Anthropogenic biomes (v1 from Ellis & Ramankutty (2008)). Anthropogenic biomes, also known as anthromes, human biomes or intensive land-use biome, describe the terrestrial biosphere in its contemporary, human-altered form using global ecosystem units defined by global patterns of sustained direct human interaction with ecosystems.
Substrata is the third studio album by Norwegian electronic musician Geir Jenssen under the stage name Biosphere, released in 1997 by All Saints Records.. It is Biosphere's first truly ambient album, and has a theme of cold, of mountains and glaciers, and of running water.
Microgravity is the debut studio album by Norwegian electronic musician Geir Jenssen under the stage name Biosphere, released in 1991.. The album was at first rejected by SSR, the subsidiary of Nettwerk with whom Jenssen had previously released his music, as "unmarketable".
Dropsonde is an ambient album by musician Biosphere (alias Geir Jenssen). Unlike his previous output, the album has a notable jazz influence. Overview.