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Kim Go-eun (Korean: 김고은; born July 2, 1991) is a South Korean actress. She debuted in the film Eungyo (2012) where she won several Best New Actress awards in South Korea.
A baby is found abandoned inside a coin locker at Western Seoul train station in 1996. A beggar takes her and names her Il-young (), then when she turns 10, she is taken by the corrupt detective who sells her off to a woman referred to simply as Mother (Kim Hye-soo) as part of his loan payment.
Love in the Big City (Korean: 대도시의 사랑법) is a 2024 South Korean comedy drama film directed by E.oni , based on the novel of the same name by Sang Young Park , written by Kim Na-deul, and starring Kim Go-eun and Noh Sang-hyun.
Choi Min-sik, Kim Go-eun, Yoo Hae-jin, Lee Do-hyun [10] M A R C H 1 My Name Is Loh Kiwan * 로기완: Kim Hee-jin: Song Joong-ki, Choi Sung-eun, Jo Han-chul, Kim Sung-ryung, Lee Il-hwa [11] 13 Dolphin: 돌핀: Bae Du-ri: Kwon Yu-ri, Gil Hae-yeon [12] 27 Troll Factory: 댓글부대: Ahn Gooc-jin: Son Suk-ku, Kim Sung-cheol, Kim Dong-hwi, Hong ...
Yoo Yeol's Music Album), is a 2019 South Korean romantic drama film directed by Jung Ji-woo and starring Kim Go-eun and Jung Hae-in. [ 4 ] [ 5 ] It was released in South Korea on August 28, 2019, and globally via Netflix on November 5, 2019.
Guardian: The Lonely and Great God [4] [5] (Korean: 쓸쓸하고 찬란하神 – 도깨비) is a South Korean television series starring Gong Yoo in the title role, alongside Kim Go-eun, Lee Dong-wook, Yoo In-na, and Yook Sung-jae. Written by Kim Eun-sook, the series aired on tvN from December 2, 2016, to January 21, 2017. [6]
Little Women (Korean: 작은 아씨들; RR: Jag-eun Assideul) is a South Korean television series directed by Kim Hee-won, and starring Kim Go-eun, Nam Ji-hyun, and Park Ji-hu. It aired from September 3 to October 9, 2022, on tvN's Saturdays and Sundays at 21:10 . [4] It is also available for streaming on Netflix in selected regions. [5]
Monster was released in theaters on March 13, 2014. Writer-director Hwang In-ho experimented by combining thriller and comedy elements and pushing genre conventions to their extremes with strong stylistic overtones, but some reviews called the film "awkward," "unharmonious" and "almost schizophrenic" as a result, while others criticized a perceived misogyny beneath the film's ostensible ...