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The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
A 3 × 6 stack of Marshall ModeFour guitar cabinets on the main stage of Tuska Open Air Metal Festival in 2008. This setup belonged to Jeff Hanneman of Slayer.. Marshall Amplification is a Swedish-British company that designs and manufactures music amplifiers, speaker cabinets, and effects pedals.
The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
Marshall “Major” Taylor, the Indianapolis-born Black cycling star, could receive one of Congress’s highest honors, 91 years after his death and burial in an unmarked grave in Illinois.
Marshall JCM800; Marshall JTM45; Marshall Major This page was last edited on 24 September 2017, at 22:14 (UTC). Text is available under the Creative Commons ...
The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification.The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
Marshall Walter "Major" Taylor (November 26, 1878 – June 21, 1932) was an American professional cyclist. Even by modern cycling standards, Taylor could be considered the greatest American sprinter of all time.
Sky Above Clouds (1960–1977) is a series of eleven cloudscape paintings by the American modernist painter Georgia O'Keeffe, produced during her late period.The series of paintings is inspired by O'Keeffe's views from her airplane window during her frequent air travel in the 1950s and early 1960s when she flew around the world.