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Dutch Golden Age painting was among the most acclaimed in the world at the time, during the seventeenth century. During the Dutch Golden Age, there was such a high output of paintings that prices for artwork declined. From the 1620s, Dutch painting broke decisively from the Baroque style typified by Rubens in neighboring Flanders into a more ...
The enormous success of 17th-century Dutch painting overpowered the work of subsequent generations, and no Dutch painter of the 18th century—nor, arguably, a 19th-century one before Van Gogh—is well known outside the Netherlands. Already by the end of the period artists were complaining that buyers were more interested in dead than living ...
The Procuress by van Honthorst, 1625. Utrecht Caravaggism (Dutch: Utrechtse caravaggisten) refers to the work of a group of artists who were from, or had studied in, the Dutch city of Utrecht, and during their stay in Rome during the early seventeenth century had become distinctly influenced by the art of Caravaggio. [1]
The theme of men and women reading or writing letters was very popular amongst Dutch artists in the third quarter of the 17th century. The theme recurs amongst the works of Johannes Vermeer, Gabriël Metsu and, in particular, Gerard ter Borch. Due in part to the 'Great age of letter writing', the act of writing and thus reading a letter was ...
The 17th century was a period dominated by the distinct individuals Peter Paul Rubens in the Southern Netherlands and Rembrandt van Rijn in the newly independent Dutch Republic. [3] Dutch and Flemish painters both followed many of the same themes, including still life, genre, landscape, portraiture and classicism.
The book is written in 17th-century Dutch and its title is commonly translated into English as 'The Book of Painters' or 'The Book of (or on) Painting' and sometimes as 'The Book on Picturing'. Het Schilder-Boeck consists of six parts and is considered one of the principal sources on the history of art and art theory in the 15th and 16th ...
Het Menselyk Bedryf ("The Book of Trades") is an emblem book of 100 engravings by Jan Luyken and his son Caspar published in 1694, illustrating various trades in Amsterdam during the Dutch Golden Age. The majority of the trades shown are from the textile industry (12), followed by marine pursuits (8).
A regents group portrait (regentenstuk or regentessenstuk in Dutch, literally "regents' piece"), is a group portrait of the board of trustees, called regents or regentesses, of a charitable organization or guild. This type of group portrait was popular in Dutch Golden Age painting during the 17th century