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Klang, therefore, should in most cases better be understood as "the fundamental sound", possibly "the sound of nature". Riemann defines the Klang as "a compound sound": The ear comprehends a tone with its direct relatives (third and fifth or their octaves) [...] as forming one compound sound, which we will call a CLANG.
He Xuntian adopted RD Composition in his work Sounds of Nature. [6] [7] The work won The Outstanding Musical Achievement Award of The International New Music Composers Competition 1989-90 USA. [4] [8]
The historical background of natural sounds as they have come to be defined, begins with the recording of a single bird, by Ludwig Koch, as early as 1889.Koch's efforts in the late 19th and early 20th centuries set the stage for the universal audio capture model of single-species—primarily birds at the outset—that subsumed all others during the first half of the 20th century and well into ...
Some forms of music use recorded sounds of nature as part of the music, for example new-age music uses the nature sounds as backgrounds for various musical soundscapes, and ambient music sometimes uses nature sounds modified with reverbs and delay units to make spacey versions of the nature sounds as part of the ambience.
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Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It is often "peaceful" sounding and lacks composition, beat, and/or structured melody. [5] It uses textural layers of sound that can reward both passive and active listening [6] and encourage a sense of calm or contemplation.
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The series consists of recordings of natural sounds such as a seashore with crashing waves or a thunderstorm with falling rain, without musical accompaniment. The series helped ignite a worldwide interest in field recordings which resulted in many imitations being released throughout the 1970s, 1980s and 1990s both with, and without, music. [2] [3]