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The Tashkent Files – Who Killed Shastri? is a 2019 Indian Hindi-language thriller film about the death of former Prime Minister of India Lal Bahadur Shastri; written and directed by Vivek Agnihotri. The film stars Shweta Basu Prasad, Naseeruddin Shah, Mithun Chakraborty, Pankaj Tripathi, Pallavi Joshi, Prakash Belawadi and Mandira Bedi.
The Kashmir Files is a 2022 Indian Hindi-language drama film [2] written and directed by Vivek Agnihotri. [6] The film presents a fictional storyline [ 1 ] [ 7 ] centred around the 1990 exodus of Kashmiri Hindus from Indian-administered Kashmir .
This is an accepted version of this page This is the latest accepted revision, reviewed on 29 December 2024. Indian director, screenwriter and author Vivek Ranjan Agnihotri Agnihotri in 2019 Born (1973-11-10) 10 November 1973 (age 51) Gwalior, Madhya Pradesh, India Citizenship Indian Education Indian Institute of Mass Communication Occupations Film director film producer screenwriter author ...
The 34-year-old's experience suggests the new government in Tashkent is willing to make concessions as it vows to ease restrictions that made Uzbeks wary of speaking freely for the past 25 years.
After Iqbal (2005), she transitioned to adult roles and found success with Kotha Bangaru Lokam (2008), The Tashkent Files (2019), and OTT platform films and web series such as Serious Men (2020), Criminal Justice (Season 3, 2022), India Lockdown (2022), Jubilee (2023) and Tribhuvan Mishra: CA Topper (2024). Shweta has also worked in Bengali ...
The Soviet Union, led by Premier Alexei Kosygin, hosted peace negotiations in Tashkent (now in Uzbekistan), where Indian Prime Minister Lal Bahadur Shastri and Pakistani President Muhammad Ayub Khan signed the Tashkent Declaration on 10 January 1966, [184] agreeing to withdraw to pre-August lines no later than 25 February 1966.
Pirimqul Qodirov [a] (25 October 1928 – 20 December 2010) was an Uzbek novelist, short story writer, and literary translator. His best known work is Babur: Starry Nights (Uzbek: Yulduzli tunlar), a fictionalized account of the life and conquests of the Mughal emperor Babur.
The central part of the building had a two-story room with a dome and four corner turrets adorned with ornate minarets. [4] The lower part of the palace housed a spacious storage area and service rooms. On the first floor, there was the grand living quarters of the prince and a reception room.