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Aphrodite's major symbols include seashells, myrtles, roses, doves, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian cult of Inanna. Aphrodite's main cult centers were Cythera, Cyprus, Corinth, and Athens.
In Ancient Greek religion and mythology, the Erotes (/ ə ˈ r oʊ t iː z /; Ancient Greek: ἔρωτες, érōtes) are a collective of winged gods associated with love and sexual intercourse. They are part of Aphrodite's retinue. Erotes is the plural of Eros ("Love, Desire"), who as a singular deity has a more complex mythology.
Eostre, Germanic dawn goddess. Freyja, goddess of love/sex, beauty, seiðr, war, and death. Frigg, goddess of marriage and women. Lofn, goddess who has permission from Frigg to arrange forbidden marriages. Sjöfn, goddess associated with love. Eros Farnese MAN Napoli 6353
The Aphrodite of Rhodes (Greek: Αφροδίτη της Ρόδου) also known as the Crouching Venus of Rhodes is a marble sculpture of the Greek goddess Aphrodite housed in the Archaeological Museum of Rhodes in Rhodes, Greece.
The group statue is made of Parian marble, and at 1.55 m. tall (including the base), it is slightly smaller than lifesize. [2]Aphrodite, the beautiful naked goddess of beauty and love, is depicted in frontal with hair well-tressed and tied up with a scarf bound in a bow above her parting.
Aphrodite's garment appears almost transparent, as if it is wet, and outlines her body. It then slips casually off the goddess's left shoulder, exposing her left breast. Her hair is richly tressed in an "Apollo's knot", while long curls fall elegantly over her shoulders, thus accentuating her serene and beautiful face. [2]
Pages and categories relating to Aphrodite, the goddess of love and beauty in Greek mythology. Subcategories This category has the following 6 subcategories, out of 6 total.
Agonising, Adonis gives birth to the anemones, a symbol of rebirth that in the Middle Ages were transformed into white roses which, dyed with blood, became the emblem of love. Rodin managed to get the goddess to transmit to the spectator her desire to return her beloved to life, reflected in her face full of despair and at the same time of ...