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The enormous success of 17th-century Dutch painting overpowered the work of subsequent generations, and no Dutch painter of the 18th century—nor, arguably, a 19th-century one before Van Gogh—is well known outside the Netherlands. Already by the end of the period artists were complaining that buyers were more interested in dead than living ...
Dutch Golden Age painting was among the most acclaimed in the world at the time, during the seventeenth century. During the Dutch Golden Age, there was such a high output of paintings that prices for artwork declined. From the 1620s, Dutch painting broke decisively from the Baroque style typified by Rubens in neighboring Flanders into a more ...
The 17th century was a period dominated by the distinct individuals Peter Paul Rubens in the Southern Netherlands and Rembrandt van Rijn in the newly independent Dutch Republic. [3] Dutch and Flemish painters both followed many of the same themes, including still life, genre, landscape, portraiture and classicism.
The Procuress by van Honthorst, 1625. Utrecht Caravaggism (Dutch: Utrechtse caravaggisten) refers to the work of a group of artists who were from, or had studied in, the Dutch city of Utrecht, and during their stay in Rome during the early seventeenth century had become distinctly influenced by the art of Caravaggio. [1]
In the early 17th century, Dutch artists such as Esaias van de Velde the Elder, Jan van de Velde the Younger and Willem Buytewech experimented with the technique. They sought a better tone and a way to create an atmospheric effect in their landscape prints, breaking away from long contour lines to draw them with small strokes and dots.
History painting, which includes biblical, mythological and historical subjects, was considered by seventeenth-century theoreticians as the most noble art. Abraham Janssens was an important history painter in Antwerp between 1600 and 1620, although after 1609 Rubens was the leading figure.
Although landscape paintings were popular in seventeenth-century Dutch art, the depiction of a specific industry and its connection with a particular place was relatively rare at the time. [1] Ruisdael was the one to popularize the painting of such landscape views of Haarlem, including the industry that the town was known for. [1]
A regents group portrait (regentenstuk or regentessenstuk in Dutch, literally "regents' piece"), is a group portrait of the board of trustees, called regents or regentesses, of a charitable organization or guild. This type of group portrait was popular in Dutch Golden Age painting during the 17th century