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Fujinon XC 16-50mm f/3.5-5.6 OIS: This lens is a consumer-grade standard zoom, covering wide angle to short telephoto, equivalent to 24–76 mm on a full frame camera. The lens is the 'kit' lens for the X-M1 camera, and has a lower end build quality than the other Fujinon lenses, while maintaining good optical quality.
The Fujinon XF 56mm F1.2 R is an interchangeable camera lens announced by Fujifilm on January 6, 2014. As of 2015, it is one of the widest-aperture native mirrorless lenses. As of 2015, it is one of the widest-aperture native mirrorless lenses.
The image sensor format of a digital camera determines the angle of view of a particular lens when used with a particular sensor. Because the image sensors in many digital cameras are smaller than the 24 mm × 36 mm image area of full-frame 35 mm cameras, a lens of a given focal length gives a narrower field of view in such cameras.
Digital Negative (DNG) is an open, lossless raw image format developed by Adobe and used for digital photography.It was launched on September 27, 2004. [1] The launch was accompanied by the first version of the DNG specification, [2] plus various products, including a free-of-charge DNG converter utility.
In North America, Minolta marketed the camera and lenses with the Maxxum branding. Until the mid 1990s, A-mount lenses for the North American market were engraved as Maxxum AF ; the rest of the world were branded as AF lenses, including the regions using the Dynax and α branding for the cameras.
Brand Ref. Model Intro. Focal Length Aperture Opt. Stab. Wgt Filter Size ⌀ Len. Min Focus Magnification Wide Angle Tele photo ; Min Max Max Min Max Min
The lens designed for the Zenit-7 camera was marked Helios-44-7. Due to the special aperture drive system (similar to Nikon SLR film cameras), it could only be installed on these cameras, it had a single-layer coating and an M42 × 1 mount. Helios-44D served as standard for the Zenit-D camera and had a bayonet mount to the camera.
Minolta merged with Konica to form Konica Minolta in 2004, and the restyled lens remained in production until the Konica Minolta camera division was acquired by Sony in 2006. [4] Sony did not re-release the 50 mm f /1.7 as a Sony A-mount lens, releasing a similar 50 mm f /1.8 lens (SAL-50F18) for APS-C sensor DLRs instead in 2009.