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Artemisia Gentileschi, Judith Slaying Holofernes, 1614–20, Oil on canvas 199 x 162 cm, Uffizi, Florence. Italian Baroque art was a very prominent part of the Baroque art in painting, sculpture and other media, made in a period extending from the end of the sixteenth to the mid eighteenth centuries. [1]
The first full, factual account of Artemisia's life, The Image of the Female Hero in Italian Baroque Art, was published in 1989 by Mary Garrard, a feminist art historian. She then published a second, smaller book entitled Artemisia Gentileschi around 1622: The Shaping and Reshaping of an Artistic Identity in 2001 that explored the artist's work ...
In the eighteenth century, Bernini and virtually all Baroque artists fell from favor in the neoclassical criticism of the Baroque, that criticism aimed above all at the latter's supposedly extravagant (and thus illegitimate) departures from the pristine, sober models of Greek and Roman antiquity. It is only from the late nineteenth century that ...
While the Baroque nature of Rembrandt's art is clear, the label is less used for Vermeer and many other Dutch artists. Most Dutch art lacks the idealization and love of splendour typical of much Baroque work, including the neighbouring Flemish Baroque painting which shared a part in Dutch trends, while also continuing to produce the traditional ...
The Swiss-born art historian Heinrich Wölfflin (1864–1945) started the rehabilitation of the word Baroque in his Renaissance und Barock (1888); Wölfflin identified the Baroque as "movement imported into mass", an art antithetic to Renaissance art. He did not make the distinctions between Mannerism and Baroque that modern writers do, and he ...
Nicolas Poussin (UK: / ˈ p uː s æ̃ /, US: / p uː ˈ s æ̃ /, [1] [2] French: [nikɔla pusɛ̃]; June 1594 – 19 November 1665) was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome.
From left to right, Annibale, Ludovico, and Agostino Carracci, by an unknown painter The Carracci (/ k ə ˈ r ɑː tʃ i / kə-RAH-chee, UK also / k ə ˈ r æ t ʃ i / kə-RATCH-ee, [1] [2] Italian: [karˈrattʃi] ⓘ) were a Bolognese family of artists that played an instrumental role in bringing forth the Baroque style in painting.
In 1627, he painted an admired large altarpiece, the Inspiration of Saint Jerome in San Nicolò da Tolentino. His loose brushstrokes seem precursor to rococo styles of the Guardi brothers. This final style, along with that of other "foreign" painters residing in Venice, Domenico Fetti and Bernardo Strozzi , represent the first inroads of ...