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Kenneth "Ken" Cosgrove (Aaron Staton) is an account executive at Sterling Cooper. Pete says Ken is the son of a salesman from Burlington, Vermont, and Ken tells Fillmore Auto Parts he grew up in rural Vermont. In Season 6, Ken tells Pete Campbell that he went to high school in Cabot, Vermont. Ken says his mother is heavyset and works as a nurse ...
Don Draper, a high-level advertising executive at the Sterling Cooper agency in New York City, struggles to find ideas to keep an account for Lucky Strike cigarettes, while at the same time managing his tangled personal life. Peggy Olson finds employment as Don's new secretary but immediately finds it difficult to fit in with the other ...
Jon Hamm as Don Draper, the series' protagonist, the creative director and junior partner of Sterling Cooper Advertising Agency and eventually a partner of Sterling Cooper & Partners. He is a hard-drinking, chain-smoking executive with a shadowy past who has achieved success in advertising.
The PPL partners, St. John Powell (Charles Shaughnessy) and Harold Ford (Neil Dickson) arrive with charming, handsome account man Guy MacKendrick (Jamie Thomas King). They tour the office and meet with the Sterling Cooper partners. Guy reveals he is the source of PPL's fascination with Don, dashing the idea that Don could be brought to London.
Margaret "Peggy" Olson is a fictional character on the AMC television series Mad Men.She was portrayed by Elisabeth Moss and served as the show's female lead. Initially, Peggy is secretary to Don Draper (), creative director of the advertising agency Sterling Cooper.
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When Pete arrives at Sterling Cooper over the weekend, he encounters a clueless Harry Crane (Rich Sommer), who is soon coerced into joining the new agency. Roger brings Joan Harris (Christina Hendricks) aboard as well to ensure they leave with all necessary client files for continuity of service. The group raids the Sterling Cooper offices and ...
The Grown-Ups is the name of thirty-eighth episode of the American television drama series Mad Men and the twelfth episode of the show's third season.It was written by Brett Johnson along with series creator Matthew Weiner, and it was directed by Barbet Schroeder.