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Der Freischütz (J. 277, Op. 77 The Marksman [1] or The Freeshooter [2]) is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun [3] from their 1810 collection Gespensterbuch. It premiered on 18 June 1821 at the Schauspielhaus ...
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You may hear Arthur Fiedler conducting the Boston Pops Orchestra in the overture to Carl Maria von Weber's opera "Der Freischutz" in 1937 Here on Archive.org Fiedler's June 20, 1947, MM-1147 recording of Gaîté Parisienne by Jacques Offenbach was eventually released by RCA as their second long-playing classical album (RCA Victor LM-1001), in ...
Carl Maria Friedrich Ernst von Weber (c. 18 November 1786 – 5 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic in the early Romantic period. Best known for his operas , he was a crucial figure in the development of German Romantische Oper (German Romantic opera).
The Konzertstück in F minor for Piano and Orchestra, Op. 79, J. 282, was written by Carl Maria von Weber. He started work on it in 1815, and completed it on the morning of the premiere of his opera Der Freischütz, 18 June 1821. He premiered it a week later, on 25 June, at his farewell Berlin concert.
Weber: Der Freischütz (Overture) Stuttgart Radio Symphony Orchestra – 1996 Toshiba-EMI TOLW-3751/4 [36] Released as an LD in 1996: Strauss II: Die Fledermaus (Overture) – 1993 Capanella 001 [37] Released as an LD in 1996: 22 April 1970 Weber: Der Freischütz (Overture) Stuttgart Radio Symphony Orchestra – 1996 Toshiba EMI TOLW-3751/4 [36 ...
Friedrich Laun, co-author of the Gespensterbuch, owned a copy of Unterredung Von dem Reiche der Geister (1731), and Johann Georg Theodor Grässe theorised that he brought the story of Georg Schmid to the attention of Apel. [9] [10] In Apel's version of the story, a forester, Bertram, is the last male descendant of the hunter Kuno.
The German composer Carl Maria von Weber (1786–1826) is best known for his operas, of which he wrote 10 between 1798 and 1826. His first four exist in various states: Die Macht der Liebe und des Weins [ de ] ( comp. 1798) is completely lost; two fragments survive for Das Waldmädchen (1800); the libretto to Peter Schmoll und seine Nachbarn ...