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Thomas Kershaw (1819–1898) was a leading British pioneer of marbleising, the creation of imitation marble finishes. He was born in Standish, Lancashire. From the age of 12, he served as an apprentice in Bolton to John Platt, a painter and decorator. During his nine-year apprenticeship, he bought graining tools with money earned from painting ...
Antiquing is a more involved form of distressing where the artisan intends to not only age a piece, but also create an antique appearance. In addition to distressing the finish, the artisan may reapply historical paint colors, antique-like faux finish and crackle varnishes. They might also apply period accent details, such as antique knobs on ...
Graining was common in the 19th century, as people were keen on imitating hard, expensive woods by applying a superficial layer of paint onto soft, inexpensive woods or other hard surfaces. Graining can be accomplished using either rudimentary tools or highly specialized tools. A specialized thick brush used for graining is often called a ...
Faux painting became popular in classical times in the forms of faux marble, faux wood, and trompe-l'œil murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who could actually trick viewers into believing their work was the real thing.
A #7 finish is produced by polishing with a 280–320 grit belt or wheel and sisal buffing with a cut and color compound. This is a semi-bright finish that will still have some polishing lines but they will be very dull. Carbon steel and iron are commonly polished to a #7 finish before chrome plating.
Although an antique tool might be said to be one that is more than a hundred years old, the term is often used to describe any old tool of quality that might be deemed collectable. The use of tools is one of the primary means by which humans are distinguished from other animals.