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This print was created in the city of Strasbourg, where Hans Baldung was working. This is the first print made by Baldung after becoming a master craftsman and leaving Dürer's workshop, as well as the first to feature his initials. [1] These initials can be seen hanging on a tree limb to the center-right edge of the print.
Printable version; In other projects ... The Witches (Hans Baldung) ... Anti-Nazi woodcut by Heinz Kiwitz 1933.jpg 285 × 348; 38 KB
Hans Baldung (1484 or 1485 – September 1545), called Hans Baldung Grien, [a] (being an early nickname, because of his predilection for the colour green), was a painter, printer, engraver, draftsman, and stained glass artist, who was considered the most gifted student of Albrecht Dürer and whose art belongs to both German Renaissance and Mannerism.
Hans Baldung was a student of the painter Albrecht Dürer, and Baldung was inspired by his artistic style throughout his career. [5] The theme of the coronation is borrowed from the center panel of Dürer's Heller Altarpiece, which was lost in a fire in 1729. [6] It also contains elements from Dürer's Coronation of the Virgin woodcut. [7]
Hans Baldung, New Year’s Greeting with Three Witches, 1514. Pen and white ink, heightened with white, on brown prepared paper. 12 × 8 ¼ inches, Vienna, Albertina Museum Items portrayed in this file
The Seven Ages of Woman is a painting (1544) by the German painter Hans Baldung, called Grien, executed in oil paint on linden wood. [1] It is part of the collection of the Museum der bildenden Künste in Leipzig, Germany.
Another significant artist whose art consistently depicted witches was Dürer's apprentice, Hans Baldung Grien, a 15th-century German artist. His chiaroscuro woodcut, Witches , created in 1510, visually encompassed all the characteristics that were regularly assigned to witches during the Renaissance.
Woodcut of Aristotle ridden by Phyllis by Hans Baldung, 1515. The tale of Phyllis and Aristotle is a medieval cautionary tale about the triumph of a seductive woman, Phyllis, over the greatest male intellect, the ancient Greek philosopher Aristotle. It is one of several Power of Women stories from that time.