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New stations on the Second Avenue Subway have porcelain tiles and built-in artwork. [10] The walls adjacent to the tracks at the new 34th Street station have white tiles arranged in sets of three columns of 3 tiles each. There are two-tile-high gray squares containing white "34"s in the middle of each set of columns. [11]
It is two tiles high, a pattern usually reserved for local stations. Tile captions reading "145" in white lettering on black run below the trim line at regular intervals. The trim line was part of a color-coded tile system used throughout the IND. [24] The tile colors were designed to facilitate navigation for travelers going away from Lower ...
The northern station house has an artwork, Laced Canopy by Robert Hickman, which consists of a mosaic pattern on the central skylight, made up of over 100 mosaic panels. The knots within the pattern make up the notation for an excerpt of Giuseppe Verdi's Rigoletto. [82] [89] The panels weigh over 161 pounds (73 kg) and stretch about 100 feet ...
[4]: 4 [30]: 9 There is a 1-inch (25 mm) gap between the trough wall and the platform walls, which are made of 4-inch (100 mm)-thick brick covered over by a tiled finish. [30]: 9 The original decorative scheme consisted of blue/green tile station-name tablets, violet tile bands, a white terracotta cornice, and green terracotta plaques.
Guastavino tile vaulting in the City Hall station of the New York City Subway Guastavino ceiling tiles on the south arcade of the Manhattan Municipal Building. The Guastavino tile arch system is a version of Catalan vault introduced to the United States in 1885 by Spanish architect and builder Rafael Guastavino (1842–1908). [1]
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