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Hours after their debut, the Clash, most of the Sex Pistols and much of London's "inner circle" of punks attended a performance by New York City's leading punk rock band the Ramones at Dingwalls; according to Strummer: "It can't be stressed how great the first Ramones album was to the scene ... It was the first word of Punk, a fantastic record ...
The Clash's first official recording was the single for "White Riot", released by CBS Records in March 1977. In April, CBS released their self-titled debut album, The Clash, in the United Kingdom, but refused to release it in the United States, saying that the sound was not "radio friendly". [1]
The Clash: The Clash Mikey Dread 1980 [9] " The Call Up" Sandinista! The Clash: The Clash Mikey Dread 1980 [9] "Can't Judge" (demo) Unreleased – – 1980 "Capital Radio One" Capital Radio: Joe Strummer Mick Jones Micky Foote: 1977 [11] " Capital Radio Two" The Cost of Living: Joe Strummer Mick Jones Bill Price: 1979 [12] "Car Jamming" Combat ...
Combat Rock is the fifth studio album by the English rock band the Clash, released on 14 May 1982 through CBS Records. [1] In the United Kingdom, the album charted at number 2, spending 23 weeks in the UK charts and peaked at number 7 in the United States, spending 61 weeks on the chart.
"Rock the Casbah" is a song by the English punk rock band The Clash, released in 1982 as the second single from their fifth album, Combat Rock. It reached number eight on the Billboard Hot 100 chart in the US (their only top 10 single in that country) and, along with the track "Mustapha Dance", it also reached number eight on the dance chart.
The Clash is the debut studio album by the English punk rock band the Clash, released on 8 April 1977 through CBS Records.Recorded and mixed over three weeks in February 1977 for £4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time.
During this time, Strummer was engaged in a legal dispute with the Clash's record label, Epic Records. The disagreement lasted nearly eight years and ended with the label agreeing to let him record solo records with another label. If the Clash were to reunite though, they would have to record for Sony.
The Clash's record label, CBS, at first denied the band's request for the album to be released as a double. In return CBS gave permission for the band to include a free 12-inch single that played at 33⅓ rpm. Ultimately, the planned 12-inch record became a second nine-track LP. [8]