Search results
Results From The WOW.Com Content Network
Christ of St. John of the Cross (also known as The Lost Wax) is a sculpture by Salvador Dalí created in 1979 as the model for a series of platinum, gold, silver, and bronze reliefs. The original wax sculpture and the reliefs created from it are three-dimensional iterations of Dalí's 1951 painting, Christ of Saint John of the Cross . [ 1 ]
The sculpture shows the Incredulity of Saint Thomas, a subject frequently represented in Christian art since at least the 5th century and used to make a variety of theological points. Thomas the Apostle doubted the resurrection of Jesus and had to feel the wounds for himself in order to be convinced ( John 20:24–29 ).
The sculpture of St. Luke, completed in 1957, is one part of a collection of four total figures located outside of O’Shaughnessy Hall on the south quad of the campus of Notre Dame. The collection includes sculptures of Christ and the Samaritan Woman, St. Luke and St. John. The pedestal it rests on is concrete. [2]
The Basilica del Santo Crucifix is a 1444–1447 bronze sculpture by Donatello on the high altar of the Basilica of Saint Anthony of Padua in Padua. It measures 180 by 166 cm; his only monumental bronze on that scale prior to that date had been his 1423–1425 Saint Louis of Toulouse. The work was originally nude, with a textile loincloth ...
The Lamentation over the Dead Christ is an openwork bronze relief sculpture of c. 1455–1460, produced in his old age by Donatello and now in the Victoria and Albert Museum in London. It measures 32.1 by 41.7 cm. [ 1 ]
Christ and the Samaritan Woman is an outdoor sculpture by Croatian sculptor Ivan Meštrović.Created in 1957, the sculpture resides in front of O’Shaughnessy Hall on the campus of the University of Notre Dame as part of the Shaheen-Mestrovic Memorial, which was completed in 1985 by the Department of Landscape Architecture and Planning in the South Bend office of Cole Associates. [1]
The Resurrection (La Resurrezione) is a bronze and brass sculpture by Pericle Fazzini in the Paul VI Audience Hall in Rome. [1] Intended to capture the anguish of 20th century mankind living under the threat of nuclear war, La Resurrezione depicts Jesus rising from a nuclear crater in the Garden of Gethsemane. Fazzini summarized the action of ...
Dooley's medium was usually scrap-metal or bronze. He sculpted mainly religious works including the Risen Christ in the Liverpool Metropolitan Cathedral, Redemption (a collaborative work with Ann McTavish) in Liverpool's Anglican Cathedral, The Resurrection of Christ at Princes Park Methodist Church in Toxteth, a Madonna and Child at St Faith's Church in Crosby, and a sculpture entitled ...