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The straight-line distance between the central point on the map to any other point is the same as the straight-line 3D distance through the globe between the two points. c. 150 BC: Stereographic: Azimuthal Conformal Hipparchos* Map is infinite in extent with outer hemisphere inflating severely, so it is often used as two hemispheres.
Often architectural morphologies are reflexive or indicative of political influences of their time and perhaps more importantly, place. Other influences on the morphological form of the urban environment include architects, builders, developers, and the social demographic of the particular location [ 2 ]
Historically, multiple approaches were suggested to address the reflection of the structure in the appearance of the architectural form. In the 19th-century Germany, Karl Friedrich Schinkel suggested that the structural elements shall remain visible in the forms to create a satisfying feeling of strength and security, [3] while Karl Bötticher as part of his "tectonics" suggested splitting the ...
The architecture was often a mixture of styles in timber cut from local forests and stone hewn from local rocks. Most of the timber has gone, although the earthworks remain. Impressively, massive stone structures have survived for years.
In a formal typology, building types are usually distinguished by their basic shape, site placement, and scale, but not by their specific architectural style, technology, chronology, geographical location or use. [6] For example, a cursory formal analysis of the townhouse will identify the following "minimum essential formal characteristics."
From Colonial to modern, see pictures of architectural house styles in your area, across the country or around the world. Learn more about their history. From Colonial to modern, see pictures of ...
The term gained increasingly wider recognition when British architectural historian Reyner Banham used it to identify both an ethic and aesthetic style, in his 1955 essay The New Brutalism. In the essay, Banham described Hunstanton and the Soho house as the "reference by which The New Brutalism in architecture may be defined."
It comes in different shapes and sizes and also has a symbolic value since it helps users of the urban spaces to identify the building and its entrance through the various forms of the element. The size of the interior spaces and the width of the street the building faces also affect the size and shape of the tarma. [citation needed]