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The Gero Cross. The Gero Cross or Gero Crucifix (German: Gero-Kreuz), of around 965–970, is the oldest large sculpture of the crucified Christ north of the Alps, and has always been displayed in Cologne Cathedral in Germany. It was commissioned by Gero, Archbishop of Cologne, who died in 976, thus providing a terminus ante quem for the work
The Gero Cross of about 960 (frame later). Main articles: Romanesque art and Romanesque architecture Romanesque art , long preceded by the Pre-Romanesque , developed in Western Europe from approximately 1000 AD until the rise of the Gothic style.
Gero (c. 900 – 29 June 976) was Archbishop of Cologne from 969 until his death. Tomb of Archbishop Gero at the Cologne Cathedral (centre, next to the wooden kneelers) Gero originated from Saxony , probably a son of the Billung count Christian (d. 950), who ruled in the Eastphalian Nordthüringgau and Schwabengau as well as over the adjacent ...
The cross was procured for the museum in 1914 by the collector Enric Batlló, for whom the piece is now named. It was also the same family that commissioned the construction of Casa Batlló in 1877 Barcelona, Catalonia.
Near the sacristy is the Gero Crucifix, [65] a large crucifix carved in oak and with traces of paint and gilding. Believed to have been commissioned around 960 for Archbishop Gero, it is the oldest large crucifix north of the Alps and the earliest-known large free-standing Northern sculpture of the medieval period. [66] [page needed]
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
The cross is an outstanding and moving example of the Crucifixion of Jesus, closely related to the slightly earlier life-size wooden Gero Cross in Cologne, which was a crucial work in developing the Western image of the dead crucified Christ, whose head is slumped to his shoulder, and whose sagging body forms a S shape, showing the marks of his ...
During that tenure, Tinterow was part of a group of curators to help formalize the Association of Art Museum Curators. In 2012, Tinterow returned to his native Texas and was named Director and Margaret Alkek Williams Chair the Museum of Fine Arts, Houston , following the death of the preceding director, Peter Marzio .