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According to Stephanie Chadwick, an associate professor of art history at Lamar University, "Mondrian's Composition with Red, Blue, and Yellow demonstrates his commitment to relational opposites, asymmetry, and pure planes of color. Mondrian composed this painting as a harmony of contrasts that signifies both balance and the tension of dynamic ...
Although Avond is only limitedly abstract, it is the earliest Mondrian painting to emphasize primary colors. Piet Mondrian, View from the Dunes with Beach and Piers, Domburg, 1909, oil and pencil on cardboard, Museum of Modern Art , New York
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
An important distinction that made color field painting different from abstract expression was the paint handling. The most basic fundamental defining technique of painting is application of paint and the color field painters revolutionized the way paint could be effectively applied. Color field painting sought to rid art of superfluous rhetoric.
In his abstract pictures, Richter builds up cumulative layers of non-representational painting, beginning with brushing big swaths of primary color onto canvas. [45] The paintings evolve in stages, based on his responses to the picture's progress: the incidental details and patterns that emerge.
Detail from Seurat's Parade de cirque, 1889, showing the contrasting dots of paint which define Pointillism. Pointillism (/ ˈ p w æ̃ t ɪ l ɪ z əm /, also US: / ˈ p w ɑː n-ˌ ˈ p ɔɪ n-/) [1] is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.