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Song Film Music Composer Singer(s) Lang; Ābhēri (Carnatic) Bhimpalasi (Hindustani) Maname Ganamum [TH - A Raga's Journey 1] Savitri Papanasam Sivan: M. S. Subbulakshmi: Ābhēri / Bhimpalasi "Bina Madhur Madhur Kachhu Bol" Ram Rajya (1943 film) Shankar Rao Vyas Saraswati Rane: Hindi: Ābhēri / Bhimpalasi "Duniya Se Ji Ghabra Gaya" Laila ...
Balasubrahmanyam's first work in Hindi films was, in Ek Duuje Ke Liye (1981), [1] for which he received another National Film Award for Best Male Playback Singer. [2] In 1989, Balasubrahmanyam was the playback singer for actor Salman Khan in the blockbuster Maine Pyar Kiya. [3]
Zubeen Garg (born 18 November 1972), his contributions are mostly attributed in Assamese, Bengali and Hindi films and music. Garg has recorded more than 38,000 songs in 40 different languages in the past 32 years. [1] [2] He records more than 800 songs every year [3] [4] and has recorded 36 songs in a night. [5] [6]
Kafi (IAST: Kāfi) is a raga in Hindustani classical music. It corresponds to Kharaharapriya in Carnatic music and Dorian mode in Western music. Vishnu Narayan Bhatkhande classified most ragas into ten Thaats. Kafi Thaat is one of them. The raga Kafi is the principal raga of its Thaat.
Alhaiya Bilaval is a Hindustani classical raga. It is the most commonly performed raga of a large group of ragas that are mainly based on a scale more or less identical to the Western major scale . For this reason, that scale itself is known as the Bilaval Thaat .
Bilaval or Bilawal (IAST: Bilāval) is a raga and the basis for the eponymous thaat (musical mode) in Hindustani classical music. Raga Bilaval is named after Veraval, Gujarat. [1] Bilaval has been the standard for North Indian music since the early 19th century. Its tonal relationships are comparable to the Western music C major scale.
Rāga is a melodic framework for improvisation based on the idea that certain characteristic patterns of notes (svara) evoke a heightened state of emotion.These patterns of notes are a fusion of scalar and melodic elements, and each raga can be described in terms of its ascending lines (āroha) and descending lines (avaroha), as well in terms of its characteristic melodic figures in which ...
Nattakurinji is a raga (musical scale) in Carnatic music. It is an audava janya raga of 28th Melakarta raga Harikambhoji. This raga is good to sing in evenings. [1] It is used rarely in Hindustani, but is very popular in Carnatic music. [1] [2] [3] The raaga Kurinji belongs to the Melakarta family Shankarabharanam but is sung relatively rarely. [4]