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Baldung and his mentor Albrecht Dürer created several images throughout their careers that dealt with this theme of witches. Notable works include Dürer's The Four Witches (1497) and Witch Riding Backwards On A Goat (1500), as well as Baldung's New Year's Greeting with Three Witches (1514) and The Bewitched Groom (1544). [2]
Hans Baldung (1484 or 1485 – September 1545), called Hans Baldung Grien, [a] (being an early nickname, because of his predilection for the colour green), was a painter, printer, engraver, draftsman, and stained glass artist, who was considered the most gifted student of Albrecht Dürer and whose art belongs to both German Renaissance and Mannerism.
The Witches' Sabbath by Hans Baldung (1510) Witches' Sabbath by Frans Francken (1606) Witches' Sabbath in Roman Ruins by Jacob van Swanenburgh (1608) As a recent translation from the original Spanish El aquelarre to the English title Witches' Sabbath (1798) and Witches' Sabbath or The Great He-Goat (1823) both works by Francisco Goya
Witch-cult hypothesis; Witch hunt. ... the witch archetype is a common portrayal of a woman, ... Hans Baldung Grien, a 15th-century German artist. ...
Hans Baldung, New Year’s Greeting with Three Witches, 1514. Pen and white ink, heightened with white, on brown prepared paper. 12 × 8 ¼ inches, Vienna, Albertina Museum Items portrayed in this file
The Witches by Hans Baldung (woodcut), 1508. The most common meaning of "witchcraft" worldwide is the use of harmful magic. [17] Belief in malevolent magic and the concept of witchcraft has lasted throughout recorded history and has been found in cultures worldwide, regardless of development.
Although these were described by benandanti as spirit journeys, they nevertheless stressed the reality of such experiences, believing that they were real occurrences. [8]On Thursdays between the Ember days, periods of fasting for the Catholic Church, the benandanti claimed their spirits would leave their bodies at night in the form of small animals.
The Seven Ages of Woman is a painting (1544) by the German painter Hans Baldung, called Grien, executed in oil paint on linden wood. [1] It is part of the collection of the Museum der bildenden Künste in Leipzig, Germany.