Search results
Results From The WOW.Com Content Network
In later mythology, the brother Fu Xi and sister Nüwa, who lived on Mt. Kunlun, exemplify this marriage. Norman J. Girardot, professor of Chinese religion at Lehigh University, has written articles and a definitive book on hundun. He summarizes this mythology as follows.
Feng (mythology), an edible monster that resembles a two-eyed lump of meat and magically grows back as fast as it is eaten. Fenghuang, Chinese phoenix; Fenghuang. Feilian, god of the wind who is a winged dragon with the head of a deer and tail of a snake. Feilong, winged legendary creature that flies among clouds. Fish in Chinese mythology ...
Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion (Yang et al 2005, 4). Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which presents a more mythological version (Yang et al 2005, 12–13).
Some scholars believe the Heavenly Stems, and the associated ten-day week, are connected to a story from Chinese mythology where ten suns appeared in the sky, whose order comprised a ten-day cycle (旬; xún); the Heavenly Stems are conjectured to be the names for each of these ten suns. [2]
Chinese mythology (traditional Chinese: 中國神話; simplified Chinese: 中国神话; pinyin: Zhōngguó shénhuà) is mythology that has been passed down in oral form or recorded in literature throughout the area now known as Greater China. Chinese mythology encompasses a diverse array of myths derived from regional and cultural traditions.
Chinese creation myths are symbolic narratives about the origins of the universe, earth, and life. Myths in China vary from culture to culture. In Chinese mythology, the term "cosmogonic myth" or "origin myth" is more accurate than "creation myth", since very few stories involve a creator deity or divine will.
The poetic style of the Heavenly Question is markedly different from the other sections of the Chuci collection, with the exception of the "Nine Songs" ("Jiuge"). The poetic form of the Heavenly Questions is the four-character line, more similar to the Shijing than to the predominantly variable lines generally typical of the Chuci pieces, the vocabulary also differs from most of the rest of ...
Yuan Ke, a scholar in Chinese mythology, carefully studied the original materials and supported Liu's suggestion that the Epic of Darkness is a folk epic. Yuan said that the discovery of "Darkness" could be regarded a historic event in the folklore history of the Han people.