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File: Pablo Picasso, 1906, Femme se coiffant (Woman Combing her Hair), crayon, charcoal on paper.jpg
An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891 The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
This image is the same size as the famous painting. The pose of Florentine was reused by Eckersberg years later in July 1850, in a drawing using pencil and sepia and titled Standing model doing her hair. The female model stands in contrapposto with her right hand holding her hair as in the oil painting from 1841.
The woman's face is hidden, so the emphasis of the piece rests on the woman's nude body. [10] Degas included many works of female nudes bathing in the last Impressionist exhibition in 1886. [12] Nine of Degas's pastel drawings of women at their bath were exhibited by Theo Van Gogh at Galerie Boussod et Valadon in 1888. [4]
File: Pablo Picasso, 1904, Woman with a Helmet of Hair, gouache on tan wood pulp board, 42.7 x 31.3 cm, Art Institute of Chicago.jpg
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The Greek goddesses were initially sculpted with drapery rather than nude. The first free-standing, life-sized sculpture of an entirely nude woman was the Aphrodite of Cnidus created c. 360 –340 BCE by Praxiteles. [24] The female nude became much more common in the later Hellenistic period.
She attended five different high schools, studying painting and drawing. [5] In her youth, she was fond of bodybuilding. She took part in various competitions and received national recognition, which later influenced her to portray beautiful and muscular women. [5] In 1978, Bell married writer and academic Donald E. Palumbo. [6]