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The Ensoniq SQ-80 is a digital/analog synthesizer manufactured from 1987 to 1989. It was Ensoniq 's update to its first synth, the Ensoniq ESQ-1 . Compared to the ESQ-1, the SQ-80 includes 43 additional waveforms (including five drumkits), an enhanced sequencer, and a floppy disk drive for storing patches and sequences.
An AX80 appears in the video for Kim Mitchell's song "All We Are", played by Pye Dubois, although the manufacturer's name is blacked out. Greek synth-pop duo Marsheaux and U.K alternative act Spacehotel are also said to use the AX80, as is '90s dance act Rodeo Jones and Mark Bell of LFO on Björk 's Homogenic album.
The XP-80 includes 64 preset combinations of up to 15 existing patches and 1 rhythm set. These patch and rhythm set combinations are referred to as "performances" in Roland parlance. There are an additional 32 user memory locations to store user configurable performances. There is a built-in backlit LCD display of 320 by 80 pixels.
An updated model called the New CX-3 was released in 2000, and uses sample-based technology, as opposed to the original's analog emulation. Both incarnations of the instrument feature a double-manual version called the BX-3. The first-generation models also included an output for the instrument to hook up to a real Leslie speaker.
The Yamaha S80 is an 88-weighted-key [1] synthesizer, produced by Yamaha Corporation. It was released as Yamaha's flagship stage and studio synthesizer in 1999, [2] and retailed for approximately US $3,000 before its discontinuation in 2002. It was superseded by the S90. The S80 is 1,330 millimetres (52 in) long, 157 millimetres (6.2 in) high ...
The MPG-80 is the optional programmer designed specifically for the MKS-80, providing direct access to the majority of the MKS-80's features. The MPG-80 connects to the MKS-80 via the Controller port using a special cable. When used with an MPG-80, the MKS-80's MIDI IN port is not used in favor of the MIDI IN on the MPG-80.
The Yamaha CS-80 is an analog synthesizer introduced by Yamaha Corporation in 1977. [2] It supports true 8-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers (rather than the digital ...
The Jupiter-80 is a part of Roland's flagship long-running synthesizer series, which began with the Jupiter-4 between the years of 1978 and 1981. The Jupiter-80 was shortly followed by the Jupiter-50, which is a combination of both the JP-80 and the JUNO series. [1] [2] It was succeeded by the Jupiter-X and Jupiter-Xm in 2019. [3]