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Some suncatchers. A suncatcher or light catcher is a small reflective, refractive, and/or iridescent ornament. It may include glass or nacre pieces and be hung indoors near a window to "catch" sunlight. [1] [additional citation(s) needed] A suncatcher is like the optical equivalent of a wind chime.
Also the stained glass in the east window of the Parish Church of St Mary Magdalene, Gillingham. [4] Other windows by this firm are in Wimborne Minster 1857, Peterborough Cathedral 1864 and St Mary's Parish Church, Hampton c1888. A documentary film, Stained Glass Masters: Heaton, Butler and Bayne, was produced in 2000 by the film maker Karl ...
Stained Glass Museum Ely, Cambridgeshire c. 1920: Also in the Stained Glass Museum is an oval glass panel entitled "Hammer and Tongs". Two medieval characters are shown attacking each other. One pulls his opponent’s hair with a pair of tongs whilst the other hits his knee-cap with a hammer. Parsons used it to illustrate the poem he had written-
Opalescent glass. The term "opalescent glass" is commonly used to describe glass where more than one color is present, being fused during the manufacture, as against flashed glass in which two colors may be laminated, or silver stained glass where a solution of silver nitrate is superficially applied, turning red glass to orange and blue glass to green.
Ireland became an internationally renowned center of stained-glass art at this time, to a large extent as a result of An Túr Gloine. [7] The studio was run by Purser until 1940, and she was succeeded by Catherine O'Brien who ran it until 1944. [1] After which time O'Brien bought the studio and leased a large section of it to Patrick Pollen. [8]
Gabriel Loire (April 21, 1904 – December 27, 1996) was a French stained glass artist of the twentieth century whose extensive works, portraying various persons or historical scenes, appear in many venues around the world.