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The envelope generator became a standard feature of synthesizers. [ 1 ] Following discussions with the engineer and composer Vladimir Ussachevsky , the head of the Columbia-Princeton Electronic Music Center , in 1965, Moog developed a new envelope module whose functions were described in f T1 (attack time), T2 (initial decay time), ESUS ...
Winner of Pitch@Palace in 2015. [17] Winner of the Startup Battlefield at TechCrunch Disrupt in 2015. [18] [19] Winner of an Innovation Lion at the Cannes Lions International Festival of Creativity in 2016. [2] Winner of Hottest Media/Entertainment Startup at The Europas in 2017. [20] Winner of Startup of the Year at the BIMA Awards in 2017. [21]
A signal generator is one of a class of electronic devices that generates electrical signals with set properties of amplitude, frequency, and wave shape. These generated signals are used as a stimulus for electronic measurements, typically used in designing, testing, troubleshooting, and repairing electronic or electroacoustic devices, though it often has artistic uses as well.
In his 1979 book Gödel, Escher, Bach: An Eternal Golden Braid, Douglas Hofstadter explained how Shepard scales could be used on the Canon a 2, per tonos in Bach's Musical Offering (called the Endlessly Rising Canon by Hofstadter [13]: 10 ) for making the modulation end in the same pitch instead of an octave higher. [13]: 717–719
The Siemens Synthesizer was controlled by a set of four punch paper rolls controlling the timbre, envelope, pitch and volume. Equipment found in the studio included a bank of 20 oscillators, a white noise generator, a Hohnerola (a hybrid electronically amplified reed instrument marketed by Hohner) and an impulse generator. The synthesizer had a ...
Alternatively, we can represent just intonation pitch classes by reducing to the octave, 1 ≤ p / q < 2. It is also very common to label pitch classes with reference to some scale. For example, one can label the pitch classes of n-tone equal temperament using the integers 0 to n − 1. In much the same way, one could label the pitch ...
In musical notation, the different vertical positions of notes indicate different pitches. Play top: Play bottom: Pitch is a perceptual property that allows sounds to be ordered on a frequency-related scale, [1] or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. [2]