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Paul Banks, Matt Barrick, and Josh Kaufman had all been friends that had been involved in the New York City post-punk revival scene of the early 2000s. [1] The three began playing together in early 2015 which lead to the first demos of Muzz. In 2020, the band began recording studio material in anticipation of their self-titled debut album.
Muzz was met with "generally favorable" reviews from critics. At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream publications, this release received an average score of 75, based on 12 reviews. [16] Aggregator Album of the Year gave the album a score of 74 out of 100 based on a critical consensus of 15 ...
Banks used his Jaguar as his primary guitar for the end leg of the Our Love to Admire tour, and was also seen using a Gibson ES-135 for songs such as "Not Even Jail", but since the 2010 tour leg he has not been since using the Jaguar or ES-135 and has only been seen using his traditional black Les Paul in live settings. His Flying V, with the ...
Paul Banks swears that he never intended to form another band. The singer-guitarist had a busy enough work schedule with his main outfit, Interpol, not to mention other diversions like Banks and ...
It should only contain pages that are Paul Banks (American musician) albums or lists of Paul Banks (American musician) albums, as well as subcategories containing those things (themselves set categories). Topics about Paul Banks (American musician) albums in general should be placed in relevant topic categories
Banks is the second solo studio album by Paul Banks, the lead singer of the band Interpol. It was released on October 22, 2012. [ 11 ] The first single is the opening track, "The Base", which spent 7 weeks on the Mexico Ingles Airplay chart, peaking at #43.
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Everybody on My Dick Like They Supposed to Be is a hip hop mixtape by English-American singer-songwriter and musician Paul Banks, best known as the frontman of the band Interpol. Self-released by Banks on January 25, 2013 through DatPiff , [ 1 ] it was originally intended to be a pre-release bonus for Banks' second solo studio album, Banks (2012).