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The instruments often have ornately carved wooden frames. The gangsa section in gamelan gong kebyar is the largest section, consisting of 13-14 players. Gangsa instruments are played with a mallet, called a panggul gangsa. The mallet differs in hardness depending on the instrument and its range. The keys are arranged from low to high, left to ...
The ugal features mainly in gamelan gong kebyar, where it carries the central melody (pokok) of the piece. Sometimes it may give its melodic duty to the jublag, where it then takes over as the leader of a kotekan. There is often only one ugal in the kebyar ensemble, and it is usually deeper toned. It is played by one of the leaders of the ensemble.
In Gamelan gong kebyar, Kotekan is usually played on the higher-pitched gangsa and reyong as embellishment to the main melody played on the calung and ugal. The busy upper registers of the gamelan are the domain of the gangsas and reyong. These instruments spin out kotekan, the crackling ornamental fireworks of Balinese music. Kotekan is ...
Modern forms of Balinese gamelan include kebyar, an energetic style played by clubs, which generally compose their own music. An extensive study of gamelan gong kebyar is found in Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music (2000) by Michael Tenzer , ISBN 0-226-79281-1 and ISBN 0-226-79283-8 .
Javanese and Balinese gong kebyar: Traditional University of Hawaiʻi Gamelan Ensemble. The ensemble has also begun performing kecak [3] Illinois: Chicago: Chicago Balinese Gamelan (CBG) Balinese gong kebyar: Traditional music and dance Community ensemble, founded 2017. Friends of the Gamelan (FROG)
The gangsa is a metallophone idiophone of the Balinese people of Bali, Indonesia. It is a melodic instrument that is part of a Balinese gamelan gong kebyar.Traditionally, a single gamelan craftsman's workshop would construct, upon commission, a unified and uniquely tuned set of bronze instruments, numbering twenty or more, the sum total of which would constitute a gamelan gong kebyar.
Gamelan gender wayang; Gamelan gong gede; Gamelan gong kebyar; Gamelan gong luang; Gamelan gong saron; Gamelan gong suling; Gamelan jegog; Gamelan joged bumbung; Gamelan pearjaan; Gamelan pelegongan; Gamelan selunding; Gamelan semar pegulingan; Gamelan semarandana; Gamelan trompong beruk; Gamelan tembang girang
Selisir is the most often encountered, being the tuning of the popular Gamelan gong kebyar, and may be considered the "default" pelog scale. Two other modes, baro and lebeng , are known from gambuh and semar pegulingan , but are rarely used and more loosely defined. [ 6 ]