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The creation and study of the short story as a medium began to emerge as an academic discipline due to Blanche Colton Williams' "groundbreaking work on structure and analysis of the short story" [25]: 128 and her publication of A Handbook on Short Story Writing (1917), described as "the first practical aid to growing young writers that was put ...
Three of the stories—"Ambrose, His Mark"; "Water-Message"; and the title story, "Lost in the Funhouse"—concern a young boy named Ambrose and members of his family. The first story is told in first person, leading up to describing how Ambrose received his name. The second is told in third person, written in a deliberately archaic style.
A film adaptation of the short story "A Good Man Is Hard to Find", entitled Black Hearts Bleed Red, was made in 1992 by New York filmmaker Jeri Cain Rossi. The film stars noted New York artist Joe Coleman , [ 27 ] but according to reviewers the film does not depict the story well.
The first word of the story, "True!", is an admission of their guilt, as well as an assurance of reliability. [10] This introduction also serves to gain the reader's attention. [13] Every word contributes to the purpose of moving the story forward, exemplifying Poe's theories about the writing of short stories. [14]
"A Descent into the Maelström" is an 1841 short story by American writer Edgar Allan Poe. In the tale, a man recounts how he survived a shipwreck and a whirlpool . It has been grouped with Poe's tales of ratiocination and also labeled an early form of science fiction .
The story shows the sickening nature of poverty. "A Piece of Steak" was written at the height of the Naturalist writing movement, which sought to capture the trials of humanity in the face of Social Darwinism. Among other topics, the story deals with the issue of aging and the inevitability of decline toward an eventual death.
The story begins by introducing an alluring woman, whose entrance into the room is marked by every one of its occupants. The narrator goes on to describe the event as a chess tournament, where the lady is a new participant, and he himself was the Chess Club's new captain.
Analysis [ edit ] It has been suggested that the portrayal of the Jewish temptress, Susanna Rothstein, may have been influenced by Chekhov's stormy relationship with his former fiancée Dunia Efros, herself Jewish, and who remained on good terms with Chekhov after marrying his friend the Jewish lawyer and publisher Efim Konovitser.