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The popularity of Dickens's writings was enhanced by the regular inclusion of detailed illustrations to highlight key scenes and characters. Each sketch typically featured two black-and-white illustrations, as well as an illustration for the wrapper. The images were created with wood engravings or metal etchings.
[12] [15] Black and White has both order and chaos, expressed through the story, illustrations, and design of the book. [12] The chaos of the story increases, reaching its climax when the only colors used are black on white on a page, before order is restored at the end of the stories and at the end of the book. [16]
Each full-page illustration is accompanied by a page of text. At the top of each page of text is a small, black-and-white ink illustration of Stellaluna's mother searching for her. [8] Once Stellaluna and her mother are reunited, however, the ink illustrations portray Stellaluna for the rest of the book. [9]
Over the next several years, she continued to create illustrations for magazines, including a series of Mother Goose illustrations printed in Good Housekeeping, which were black and white until mid-1914 when they were printed in color. Her illustrations were reproduced in the book The Jessie Willcox Smith Mother Goose by Dodd, Mead, and Company ...
The Great Cat Chase: A Wordless Book (1975) (originally released with black and white illustrations, it was re-released as just The Great Cat Chase in the 1990s with added words and in color) Liza Lou and the Yeller Belly Swamp (1976) ISBN 0-8193-0801-3; Herbert the Timid Dragon (1980) ISBN 0-307-13732-5
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Garth Montgomery Williams (April 16, 1912 – May 8, 1996) was an American artist who came to prominence in the American postwar era as an illustrator of children's books. . Many of the books he illustrated have become classics of American children's literatu
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