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Ming Hao Tsai (Chinese: 蔡明昊; pinyin: Cài Mínghào; born 1964) is an American chef, restaurateur, television personality and a former squash player. Tsai's restaurants have focused on east–west fusion cuisine, and have included major stakes in Blue Ginger in Wellesley, Massachusetts (a Zagat- and James Beard-recognized establishment) from 1998 to 2017, and Blue Dragon in the Fort ...
Tsai Ming-liang (Chinese: 蔡明亮; born 27 October 1957) is a Malaysian filmmaker based in Taiwan. Tsai has written and directed 11 feature films, many short films, and television films. He is one of the most celebrated "Second New Wave" film directors of Taiwanese cinema. His films have been acclaimed worldwide and have won numerous awards ...
The site's consensus reads: "Rebels of the Neon God announces writer-director Ming-liang Tsai as a fully formed talent—and remains one of the more accomplished debuts of the decade". [5] On Metacritic , the film has a score of 82 out of 100 based on 10 reviews, indicating "universal acclaim".
Taiwan-based auteur Tsai Ming-liang, who has two films in the Berlinale this year, is a contrarian who would be almost at home working with art-galleries and museums as cinemas and film festivals.
Taiwanese auteur Tsai Ming-liang’s short “The Moon and the Tree” will world premiere at the upcoming Taipei Film Festival. The 23rd iteration will be held in-person from Sept. 23 to Oct. 9.
Tsai Ming-liang takes a bold move with plot lines that are stylistically designed to focus on only a trio of main characters, who unknowingly share an apartment in Taipei. The cinematic language of Vive l'amour is kept to an extreme minimum. Tsai Ming-liang's austere composition of dialogues with a total of less than a hundred lines throughout ...
The tribute to Tsai Ming-liang will also involve an onstage conversation with the director on the future of cinema and a screening of the helmer’s 2020 film “Days” (Rizi), as well as an art ...
Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-liang is a non-fiction book by Nicholas de Villiers. Published in 2022 by the University of Minnesota Press , it analyses the queer themes in the films of Tsai Ming-liang .