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Equal-loudness contour. An equal-loudness contour is a measure of sound pressure level, over the frequency spectrum, for which a listener perceives a constant loudness when presented with pure steady tones. [1] The unit of measurement for loudness levels is the phon and is arrived at by reference to equal-loudness contours.
Piano key frequencies. This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440). [1][2] Every octave is made of twelve steps called semitones.
RIAA equalization is a form of pre-emphasis on recording and de-emphasis on playback. A recording is made with the low frequencies reduced and the high frequencies boosted, and on playback, the opposite occurs. The net result is a flat frequency response, but with attenuation of high-frequency noise such as hiss and clicks that arise from the ...
12-tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. 12 equal temperament (12-ET) [a] is the musical system that divides the octave into 12 parts, all of which are equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the 12th root of 2 (12 √ 2 ≈ 1.05946).
Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. [1][2] Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments.
C (musical note) C or Do is the first note of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63 Hz. The actual frequency has depended on historical pitch standards, and for transposing instruments a distinction is made ...
Octave band. An octave band is a frequency band that spans one octave (Play ⓘ). In this context an octave can be a factor of 2 [1][full citation needed] or a factor of 10 0.301. [2][full citation needed][3][full citation needed] An octave of 1200 cents in musical pitch (a logarithmic unit) corresponds to a frequency ratio of 2 1 ≈ ...
Mel scale. The mel scale (after the word melody) [1] is a perceptual scale of pitches judged by listeners to be equal in distance from one another. The reference point between this scale and normal frequency measurement is defined by assigning a perceptual pitch of 1000 mels to a 1000 Hz tone, 40 dB above the listener's threshold.