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Martin Johnson Heade (August 11, 1819 – September 4, 1904) was an American painter known for his salt marsh landscapes, seascapes, and depictions of hummingbirds, often depicted with orchids, as well as lotus blossoms and other still lifes.
Heade was the first artist to paint live hummingbirds in their natural environment as opposed to dead hummingbirds in a studio setting. [7] According to Stebbins, "during the early 1870s Heade moved from conventional still-life compositions, in which he would typically paint a vase of flowers resting on a table indoors, to a highly unusual format–hardly a 'still-life' at all–where he would ...
The project was abandoned, but Heade retained his interest in hummingbirds and continued to paint them in combination with orchids and jungle backgrounds through the 1870s. The NGA describes the work: "Lichen covers dead branches; moss drips from trees; and, a blue-gray mist veils the distant jungle.
There are 10 paintings, including a 19th-century oil on canvas depiction of hummingbirds, and gold and purple orchids by Martin Johnson Heade that’s likely to bring in between $1.2 and $1.8 million.
Heade married in 1883 and settled in St. Augustine, Florida after a lackluster career as an itinerant artist. He was patronized by Floridian Henry Morrison Flagler, an oil and railroad magnate, who regularly purchased his works. The NGA believes this personal and professional stability stimulated the production of the still-life paintings of ...
[8] [9] [10] Similarly, Martin Johnson Heade's painting Thunder Storm on Narragansett Bay represents the greatness of nature and the sublime arising from an intimate engagement with nature. [ 11 ] The artists who painted in this style did not refer to their own work as "luminism", nor did they articulate any common aesthetic philosophy beyond ...
Martin Johnson Heade: Licensing. This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public ...
The long horizon is an influence from Heade's contemporary, Frederic Edwin Church (with whom he shared a studio), [7] as in paintings such as Niagara. [6] Heade, Thunder Storm on Narragansett Bay (1868) Numerous pentimenti suggest that Heade altered the composition over time; for example, the hills on the horizon were originally larger and more ...